52 Cameras: Week 47 part 2 — Lomo Fisheye

The first roll (Kodak Max Zoom 800) was mostly a bust. I thought I was helping the camera out using fast film but it was grain city. The first image is the only one from that roll. The flash fired but I was too far away. Boosted the exposure a little and ran noise reduction in Photoshop.

Chicken chasing -- one of my favorite sports when I was small.

Chicken chasing — one of my favorite sports when I was small.

Second roll is Fujicolor Superia X-tra 400.

That's more like it.  Not too fisheye-y.

That’s more like it. Not too fisheye-y but almost too far away for the flash.

EXTREME CLOSEUP!

EXTREME CLOSEUP!

I tease her that her curves make Buddy Holly look like a bug-eyed alien.  We had to add fisheye.

I tease her that her curves make Buddy Holly look like a bug-eyed alien. We had to add fisheye.

52 Cameras: Week 47 part 1 — Lomo Fisheye

Google being Google. Evil. While Youtube chewed on the video, I opened another tab to check mail. Gmail made me authenticate again on the same account. I read some email and logged out. The Youtube page gave me a dialog that I had logged out in another window but it kept uploading. I opened a new tab, logged in again and the video showed processing, then it finished processing and let me publish. I could link to the video, watch the video, and the page said it’s on the 52 Cameras channel, but the video manager showed it as still processing, it didn’t show up in the chronological list of videos on my channel, and the view count wouldn’t increment. WTF? I ended up deleting it and re-uploading.

A little consistency would be nice. If it’s one session, don’t make me authenticate twice. If it’s two sessions, don’t mess up my Youtube connection because I logged out of Gmail.

52 Cameras: Week 46 part 2 — Kodak Brownie Holiday Flash

I’m amazed at how well this camera did. The 1965 film, with a lot of help from the brilliant folks at Visions Photo Lab, turned out some nice images. The wobbly borders are from suspending the 127 film in the scanner’s 120 film holder. I like how the image overlaps the “Kodak Safety Film” edges. The images are oriented correctly — I have no idea why the edge markings are mirror-image.

Cathedral Basilica of St. Francis of Assisi

Cathedral Basilica of St. Francis of Assisi

Dancing on the plaza in Santa Fe.

Dancing on the plaza in Santa Fe.

Detail from the above photo before de-fuzz work in Photoshop.  Cats love to help you scan.

Detail from the above photo before de-fuzz work in Photoshop. Cats love to help you scan.

Have to have music to dance.

Have to have music to dance.

Crumbling adobe at Otowi Crossing.

Crumbling adobe at Otowi Crossing.

52 Cameras: Week 45 part 2 – Olympus OM-1(n)

Ha! When I’m loaded with film, I usually don’t actually take a picture of the video camera. Processing and scanning by The Camera Shop of Santa Fe.

The film was a pleasant surprise. It’s black and white. I searched around and the best guesses seem to be that it’s an Ilford clone or actual Ilford taken out of single use cameras. I lean toward the latter since most disposables get 27 shots. They’re loaded in the dark so no frames are lost to the leader.

Mystery film.

Mystery film.

The backwards frame numbering is another clue that it’s film from a disposable camera. Since a rewind mechanism isn’t needed, most disposables reel the film into the canister as you advance.

Edge marking just says "ISO 400" and the frame numbers are backwards.

Edge marking just says “ISO 400″ and the frame numbers are backwards.

I think the sticker was reused to get the DX code.

I think the sticker was reused to get the DX code.

Mixed reviews on line but the roll I got is beautiful. There are magenta and slate tints; easy enough to correct but I like them the way they are.

Even after mentioning it in the video, I had the camera set to ISO 100 for the photo at the co-op. I checked photos of film on my phone, looked at the one I used last week, and shot the rest with the camera at ISO 200. Whatever the film is, it’s pretty forgiving.

Enough about that. On to the camera!

F/5.6 at 1/1000-ish. I set the aperture and rotated the shutter dial until the meter said it was a hair under. I really need to be better about writing this stuff down.

In the summer, there's always great music at La Montañita Co-op in Santa Fe.

In the summer, there’s always great music at La Montañita Co-op in Santa Fe.

Magenta flamingo.  I used the 35mm at f/2.8.  Probably 1/1000 since it was hazy but bright.

Magenta flamingo. I used the 35mm at f/2.8. Probably 1/1000 since it was hazy but bright.

Close up of my friend's kinetic sculpture.  35mm at f/2.8.  1/1000-ish.

Close up of my friend’s kinetic sculpture. 35mm at f/2.8. 1/1000-ish.

Is reflected depth, depth, or a flat plane of light near the camera? I couldn’t remember for sure but guessed the latter.

Back to the 50mm.  I took a chance and used f/1.8.

Back to the 50mm. I took a chance and used f/1.8.

Update: Of course, I guessed wrong. You can tell by the OoF background. It’s a better picture for not having done what I was trying to do. Dumb luck — I’ll take it!

The Physics Classroom is a nice refresher for those of us who had Physics 101 a long time ago.

Zoe the usurper.  F/1.8.

Zoe the usurper. F/1.8.

52 Cameras: Week 44 part 2 – Minolta Maxxum 7000

Another extraordinary camera. I really need to stop falling in love or I’ll need another house just for cameras. Life intruded, as life does, so I’ve only shot one roll though it.

“Return to SAM’S CLUB for Quality Film Developing” Fujicolor SUPER HQ 200. I got it in the film can with no packaging so I have no idea of its expiration. Processing and scanning by The Camera Shop of Santa Fe.

Zoe, using the 4000 AF flash.  Program autoexposure.

Zoe, using the 4000 AF flash. Program autoexposure.

In the shade under an orange-ish tarp.  Program autoexposure.

In the shade under an orange-ish tarp. Program autoexposure.

The orange hue and a slight miss with the autofocus actually makes this picture better.  Program AE.

The orange hue and a slight miss with the autofocus actually makes this picture better. Program AE.

When you select "macro" on the lens, you focus with the zoom ring.  Program AE.

When you select “macro” on the lens, you focus with the zoom ring. Program AE.

I really want to get the 50mm f/1.7 lens and shoot some more. Because it works with modern Sony Alpha cameras, the 50 is in demand and priced accordingly, although not exorbitantly so.

52 Cameras: Week 43 part 2 – Canon SX10 IS

You know how sometimes you don’t remember how much you like something until you start telling someone else about it? I hadn’t used this camera for more than auto-everything snapshots in quite a while. I was getting reacquainted with an old pal so this is a longish post.

From the oddly specific files: There is a Flickr group dedicated to “display of your macro/supermacro photos taken with the new Canon SX10 PowerShot IS”.

Super Macro only works at 5mm (28mm equivalent).

The dreaded CHROMATIC ABERRATION (100% crop) -- ISO 100, f/2.8, 1/20 sec.

The dreaded CHROMATIC ABERRATION (100% crop) — ISO 100, f/2.8, 1/20 sec.

I had the coin on a bright white background and the lens was about 1cm away. Once that was set up I realized it was almost impossible to light it. Just because you can put something right up against the lens doesn’t mean you should. I used a camping headlamp with three super-bright LEDs shining in from the side. With that kind of contrast, from dark to completely blown-out, and a wide open lens, I pretty much set it up to fail. It is crisp enough to show me the coin is really dusty.

A nice tutorial on cleaning up CA using Photoshop Elements (or CS*) is here.

Still a lousy photo but a little better.

Still a lousy photo but a little better.

Nice soft light and backing off a little makes all the difference -- ISO 400, f/2.8, 1/250 sec.

Nice soft light and backing off a little makes all the difference — ISO 400, f/2.8, 1/250 sec.

I boosted the ISO to 400 since this is hand held (100% crop).

I boosted the ISO to 400 since this is hand held (100% crop).

Super Macro Zoe just because she held still long enough for me to do it -- ISO 200, f/2.8, 1/15 sec.

Super Macro Zoe just because she held still long enough for me to do it — ISO 200, f/2.8, 1/15 sec.

After macro-fest, I installed CHDK on the SX10′s SD card. It has huge number of features but two I’m already using are live histogram and RAW. I’ll do a separate post after I play with it some more.

This one is for all the people whining about the plastic bag ban in Santa Fe -- ISO 200, f/8, 1/800 sec.

This one is for all the people whining about the plastic bag ban in Santa Fe — ISO 200, f/8, 1/800 sec.

Whatever your politics, it's a beautiful design -- ISO 200, f/8, 1/640 sec.

Whatever your politics, it’s a beautiful design — ISO 200, f/8, 1/640 sec.