More expired-in-1997 Fuji print film.
I got about four reasonably well-exposed frames counting the found image in the video. The ones that are properly exposed are really saturated, particularly the blues. Ferrania is known for really saturated colors. This review of Scotch Color films from 1991 (PDF) says they’re really saturated and this camera-wiki article says Ferrania was sold under the Scotch brand. Conclusive? Not by a long shot. Strong evidence? I think so. Enough about the film, on to some photos.
I scanned at 2400DPI, which is low for tiny 110 negatives. The old film (1990-ish) was a gamble so I didn’t want to wait forever for little or no results.
What a coincidence, it’s Goober! I included it for a reason. Going back through frames I excluded, I found something interesting. This frame was cropped pretty tight on the scanner. The blacks coming out red are on the images where the scanner software cranked up the exposure. Apparently, 3 layers of dye + bright yellow backing = red.
The Canon Scan Gear driver doesn’t give a nice gradient. Selecting a larger area to find the frames (auto select is useless for 110) looks like the image below. Moving the frame lines in, at some point the software “finds” the frame and jumps to the higher exposure (image above).
I do manual versioning when I monkey with images. Sometimes I simplify file names before uploading. The honking file name of the image below gives an idea of the workflow. “Untitled-13b_crop_defuzz_BWurban_autoCont_1024”. “Untitled-” because I’m lazy and let PS name the imports — cameras get their own folders and multiple rolls get folders under that so I don’t need to care about the base file name. The “13” is the order they came off of the scanner and not the actual frame number. That’s something I should change. If I like a frame and want to re-scan at a higher resolution, I have to hold the negs up and find it instead of being able to go right to it in the sleeve. ‘B’ is the 2nd version of the scan. The “_crop” is to remove scanner margin. The software usually gets 35mm and 120 right so it’s not always there. If I crop again for aesthetics, there will be another “_crop”. “_defuzz” is the version after dust and cat hair cleanup. Canon’s FARE usually makes things worse so I don’t use it. “_BWurban” is convert to black & white using the “Urban/Snapshots” preset. “_autoCont” is PS’s automatic contrast correction. I tried a bunch of manual tweaks but I liked it better. Finally, “_1024” is resizing to 1024 on the longest side for upload. Frequently, I’ll use a percent instead and that looks like “_30pct”.
I’ve been meaning to talk about workflow and it’s a really simple camera so there wasn’t a lot to say about it. My Polaroid project has hit a big snag too so I needed to step away from it for a while. That’s the nice way of saying PROCRASTINATION!
This was in a cyber security thing at work. I love how clip art and stock photos mash up something computer-y and an old school caricature of a thief, usually a mask and gloves, to represent cyber crimes. This one is extra funny because touchscreens don’t work with these $2.00 a pair drugstore gloves.
Just got off of a phone call with Toyota Financial. Does everyone just put “Wait times may be longer than normal” at the beginning of their message now? It was an 18 minute call, with literally, 1 minute spent speaking to a human to get the information I needed. No touch tone — voice menu only. It got right up to the part I needed, payoff information (mysteriously under “something else” and not “payment information”), before deciding to not understand me. I could hang up or suck it up and hold. I really needed the information so I held.
Not to be too Seinfeld but, what is the deal with hold music? It wasn’t a particularly hideous mix but why does digital hold music always sound like a stretched cassette tape with the tempo and volume wobbling in and out? Is it mixed into the “please have your account number ready, blah blah” (that I already gave to the voice menu bot) from an outsourced service?
I can see some telco room in Mumbai with a 90s MP3 player jacked into the sound card of an even older PC. Not one of those cool, tidy, color coded telcos either. A working room with fans, extension cords, and cables everywhere and a UPS that died years ago beeping away — still used to get more outlets. A profitable room. The kind of room that would make an OSHA nerd weep.
Toyota really doesn’t want you to pay off early. There’s no place on the coupon for extra principal. One time I sent extra and the next bill was reduced by the extra amount. I wondered why the payoff is more than the “outstanding balance” on the bill. Sneaky buggers, the balance on the bill is just principal owed. The bill amount times the number of payments to go is considerably more.
On a more up note, I found this card for my sister’s birthday. I really like it. The card is available in the “Mischievous Menagerie” box from Pomegranate. I may try and find a print.
Thanks Jimmy! Sorry for the potato video quality. No idea why it went to 360p when I uploaded.
It started with a meeting. Simultaneously resisting the urge to kill and fighting to stay awake, I thought of a haiku:
Want me to listen?
Perhaps you should have a point
And then get to it
I doodled and sort of liked it so I redid it in pencil and inked it. Then off to the scanner and a bit of color in Photoshop.
Not much to show for finished images. I shot three Fuji FP-100C frames but the last one was a test to see if I’d found the problem with the intermittent connection and it’s completely black. I have to be frugal since Fuji has discontinued the last of their pack films.
How can you have a global monopoly on pack film with millions (tens of millions?) of cameras still in use and not make enough money to bother manufacturing it any more?
Seriously, how much profit margin does Fuji need? They don’t have any engineering costs to pay down, it was Polaroid’s design. Maybe a little bit to improve it over the years but they didn’t eat billions (in today’s dollars) like Polaroid did to invent integral film from scratch.
We’re stuck with Instax (a derivative of Kodak’s instant film) for now but if anyone figures out how to mirror-image Impossible film or shoot it through the back, I’m done with these greedy, fickle [bleep]s forever.
Seriously, sell the manufacturing equipment and put the film formulas into the public domain. If you can’t make money with a monopoly, you’re the problem, not the product. Let someone else have a go at it.
Sorry, I had to get that out.
I tested this camera after cleaning the battery compartment and contacts and the shutter opened. To get some justice from the battery that crapped up the camera, I removed the snaps from the ends of it (the 3V batteries have larger connectors than 9V batteries) and soldered them to the ends of a CR123 lithium battery.
I’m glad I tested again before loading because it stopped working. That’s when I traced the battery wire to the shutter circuit, re-soldered the battery connector, and replaced the foam.
The shutter was working consistently now so I loaded film and got a late evening image that was back-lit and too dark.
Try again with the flash gun.
I opened it back up and started doing continuity tests. My meter has a nice diode check function that beeps if point ‘A’ and point ‘B’ are connected. I’d get BEEEEP-BE-BE-[silence]-BEEEEP-BE-BE… Argh! Nothing is a bigger PITA than intermittent connections.
Quote from Brian R: Sometimes it’s intermittent but not always.
I guess was cheaper to manufacture but seeing ribbon cable instead of a proper circuit board made me sad — it can melt before solder becomes liquid and it gets brittle with age. It lasted 50 years so I guess I shouldn’t complain but I am because it made me think and work.
An Instax Wide cartridge is a tight fit vertically but it fits. Side-to-side, I eyeballed the spacing with an empty cartridge and did it by feel with a partially used cartridge in the dark bag.
The last bit is unscrewing some parts in the Polaroid so the back will close over the Instax cartridge.
Converting from ISO 800 Instax to 100 for the camera is done with a minus-3-stop (ND8) neutral density filter.
I didn’t adjust the exposure and the image is a little dark. The cell being 50 years old might have something to do with that too.
My dark bag can’t hold a pack film camera and an Lomo Instant Wide with room to work. I transferred the film from the Lomo to a film box in the bag, opened up and swapped the Polaroid in, loaded the film, took the picture, moved the film from the Polaroid to the box in the bag, swapped in the Lomo, loaded the film, took the Lomo out of the bag, and took a shot with the lens cap on. Somewhere in that convoluted mess, I got a light leak.
There’s a video on Youtube where a guy loaded the Instax into a pack film cartridge and shot into the front of the Instax film. I may have to play with that but that’s not how it’s made — just look at how the film is oriented when it exits your Instax camera. Like the Kodak instant film or any camera without a mirror between the lens and the emulsion, you have to shoot the back or you get a mirror image. I’ll update this post or do another one with the optics involved so you can see I’m not full of beans.
I can’t bust his chops too much — he has a calico.
Color correction on all of them for the old film and some dust cleanup in Photoshop.
I always forget something. There is a little twirly film advance indicator above the flash-ready light. If you have a Trip Jr., pay attention to it. I took this camera with me on a recent trip and got nothing. I had accidentally hit rewind at some point and the film wasn’t advancing. The camera still makes motor noise so the only way to be sure is to look at the advance indicator. On the plus side, rewind on this camera leaves a bit of film out of the canister so I was able to reuse the film.
I found the printout of my ticket for the Patti Smith concert on 29 December 2015 and that prompted me to make this post
Not as cool as a real ticket stub but this is a scan of the actual piece of paper I handed to the ticket-taker at the Fillmore.
I’ve wanted to see Patti Smith forever.
There were a couple of nice surprises in addition to seeing a great artist with a great band at a classic venue. First, by the time the show was over, it was her birthday!
Second, “Hey, that dude looks like Michael Stipe”.
He wasn’t on the bill. He had opened (also unannounced) for Patti Smith when they kicked off the tour for the 40th anniversary of the release of “Horses” at the Beacon Theatre in NY.
He did a short set with no REM songs:
- Neil Young’s Old Man
- The Crying Game (written by Dave Berry)
- The Doors’ People Are Strange
- John Lennon’s Imagine
- All The Young Dudes (written by David Bowie for Mott the Hoople)
The show was freaking amazing! They did the entire “Horses” album and more. She let the band show off without her for a cover of Velvet Underground’s Rock & Roll / I’m Waiting for the Man. I still get chills when I hear Because The Night.
A complete set list from Vintage Vinyl News.
Tough lighting conditions for the iPhone 4s but I’m glad I got what I got. I have some video snips I’m still editing together. I’ll post that soon.
Lomo Earl Grey 100
Appropriate for posting on Memorial Day.
The Kodak 400 was in bad shape — tons of grain and it needed a lot of color correction.