This image was in the video but this is before I cropped & cleaned up. There’s a head in the upper left. He noticed I was shooting a film camera and we talked a bit. His name’s Siddho and he’s a photographer in Santa Fe.
A shout out to Bob for giving me the film. He’s the same guy who lent me his Nikon FM.
Original price (sticker underneath)
Later price and then 1/2 price
Exposure instructions right on the backing paper
It performed well for film 37 years past its “develop by” date
I’ll start with an image that’s in the video. I just metered the scene without compensating for the strong back light. This is what I got:
Goober & Jem: un-adjusted
Using the scanner adjustment to compensate. I can see them but the background is brighter (don’t care) and they look hazy (do care). This is the result:
Dragged the scanner software midtone on the histogram to 60 (default 128)
I tried the Photoshop merge, the same wizard that let’s you create a panorama. It did not cover itself in glory. Several manual variations later, I came up with this:
Stacked the images as layers and played with transparency. Then used the levels setting in Preview.
I may be able to get something better using layers with a selective erase (I got better results putting the darker layer one top and varying the transparency, which seems counter-intuitive to me) but I’m not sure it won’t look like modern HDR-that doesn’t look real images.
The film & the lens handle wide contrast ranges if you meter properly
I have a scanner-brightened version of this too but I haven’t tried exposure stacking.
I was trying to avoid cars in the frame and ended up with “Ladies & Gentlemen, St. Francis has left the building”.
I wanted to shoot with this camera before I start modifying it and maybe destroy it completely. Plus, I got an unused roll of film in a camera bag that came with a camera. – some Kodak HD 400. No idea of its age or how it was stored so it’s ideal for a low-expectations camera.