Tag Archives: 120

52 Cameras: Mamiya C33 Professional




Get your own “Racism Is For Choads” shirt by Portugal. The Man.
Proceeds go towards bail for #BlackLivesMatter Protesters.

I have no financial interest, I just think what they’re doing through the PTM Foundation, particularly for Indigenous Peoples, is pretty awesome.



More images will be here.

52 Cameras: # 175 — Coronet Ambassador




Nice coverage by the old lens.  6X9cm is a lot of film.

Nice coverage by the old lens. 6X9cm is a lot of film.


This one is cropped & contrast tweaked - not sure if it was lens flare or a light leak.

This one is cropped & contrast tweaked – not sure if it was lens flare or a light leak.


I scanned at 4800DPI so it made some huge (20+MB) files. Preview.app on the laptop was really struggling to resize the images. The images displayed while the hamster wheel was working full blast are interesting.
Screen grab of the tree image in the video during resizing

Screen grab of the tree image in the video during resizing

52 Cameras: # 172 — Spartus Full-Vue




Made In Chicago Museum’s article on Spartus, Jack Galter, & the “Chicago Cluster”.

Boys’ Life from Google Books.

Boys' Life Sep 1953 page 61 “Hobby Hows” section

Boys’ Life Sep 1953 page 61 “Hobby Hows” section


You talkin' to me?

You talkin’ to me?


You talik' to ME?!

You talik’ to ME?!


Nope, just munching.

Nope, just munching.


Photographer's shadow

Photographer’s shadow


At first i thought I took this one but it has a frame number from before the bend in the film.
Landscape with scraggly catalpa tree - we also have a scraggly catalpa tree.

Landscape with scraggly catalpa tree – we also have a scraggly catalpa tree.


The whole Instax Mini frame

The whole Instax Mini frame

52 Cameras: # 168 — Franka Solida I




Kodak Tri-X 400, develop by 12/2016. I bought it new and it’s been frozen. Developed in HC-110 H (1+63) for 9 minutes at 68F. Scanned on the CanoScan 9000f at 2400DPI. I used both Canon’s software and Vuescan and picked whichever version I liked better. The bird bath in the video is a merged image from both.
It's only fair -- I took a picture of the Franka with the Photura

It’s only fair — I took a picture of the Franka with the Photura


I think the vignetting is not entirely the camera’s fault. I was pretty close with 400 film and the Vivitar flash I used didn’t actually have the combination of speed and distance on its chart so I kind of winged it and used f/32.
The wedding bouquet after a few weeks

The wedding bouquet after a few weeks


The junk at the top is from over-agitating during development.
Playing with the double exposure

Playing with the double exposure


Zoomed in to clean up dust specks, I noticed Jem’s face in the branches (screen grab PNG).
Detail -- Jem The Cheshire Cat

Detail — Jem The Cheshire Cat

52 Cameras: # 149 — Meopta Milona




Cool effects with double exposure and a slow shutter speed.

Cool effects with double exposure and a slow shutter speed.


This was more of a "catch it falling off the post because I don't have a tripod" kind of deal.

This was more of a “catch it falling off the post because I don’t have a tripod” kind of deal.


And this was a "Did I wind?  I'm pretty sure I wound."  I do love the pastels when Portra is overexposed.

And this was a “Did I wind? I’m pretty sure I wound.” I do love the pastels when Portra is overexposed.


Did I really use film that wasn't expired?  I could be on to something!

Did I really use film that wasn’t expired? I could be on to something!


I was cleaning the office/workshop while the pigeons ferried buckets of bits to Youtube. Not able to find anything clean, but less dangerous. I discovered I had one unused frame in an Instax Mini. I loaded it by feel into the Milona inside the dark bag, shot it, and then put it back into the Instax for processing. I didn’t get it lined up quite right but not bad.

Zoe on Instax Mini in a 1952 Czech camera.

Zoe on Instax Mini in a 1952 Czech camera.

52 Cameras: # 140 — Using the Ansco Readyflash & Spooling 620 Film

Using the Ansco Readyflash Part1: Spooling 620 Film

There are a lot of sites with instructions for paring down 120 spools instead of re-spooling. Give it a whirl if you don’t mind risking a roll. A couple of examples:

http://www.instructables.com/id/Using-120-Film-in-620-Era-cameras/
https://www.lomography.com/magazine/178618-how-to-modify-120-film-for-a-620-film-camera

One warning if you decide to go this route: The 620 film slot and the corresponding piece in the camera that turns it are smaller. Make sure the adapted roll is smooth on the ends and rotates freely. Otherwise, the bit inside the camera may rotate inside the slot of the film spool and break it. Filing the end of the spool makes it even weaker. See my experience using a 120 spool in a Rover (Diana) camera.



Using the Ansco Readyflash Part2: Loading & Shooting

Film Photography Project 620 film goodies: https://filmphotographystore.com/collections/all/620-film