Photoworks color print film, ISO 400, expired 01/06. Developed in marginal Unicolor C-41 chemicals. Scanned on a CanoScan 9000f at 3200DPI. A few tweaks obvious in the file names.
They only come on at night.
They only come on at night.
I found this roll in a Pentax Zoom 90-WR Date. I purchased the camera on 14 December 2016 as part of a 15 camera lot from Goodwill of Orange County. The images seem to be from California City, CA.
Considering that it’s been in the camera for nearly 20 years and my color chemicals are almost exhausted, it’s a miracle I got anything.
Expired (no idea when — different batch than the 1997 stash) Sam’s Club Fuji Super HQ 200. I keep saying I’m going to quit using expired film but a friend just gave me eight more rolls. Scanned on a Canon CanoScan 9000f at 2400DPI.
This is where I started to get into trouble. I went outside so I was focusing at infinity and the mirror started hanging up on the back of the lens.
It’s been a while. Life gets busy sometimes.
This guy decided to shoot with cameras he could get for 99P (under a pound UK) and the Halina Speedy 33 was his first project camera: https://austerityphoto.co.uk/halina-speedy-33-poundland-camera-no-1/
The Owner’s Manual is posted on the Manuals page.
The film is Fuji 200 i got with a camera lot from a Craigslist ad. It was in his garage and I have no idea how old it is. Pretty grainy so I did some noise reduction and minor tone tweaks. Processed and scanned by Gold One Hour Photo in Los Angeles, CA.
The film page at Spectra Film & Video shows what they currently have. I got two rolls of the Agfachrome 200D with processing before it sold out and it worked well and the processing was really well done.
Spectra’s telecine can seem pricey but after working on two 8mm projectors and an editor just to be able to look at the film, it’s feeling cheaper and cheaper: Shooting video of the projection looks awful. Neither scanner is suited to a reel of film of any size. Kludging a slide duplicator is a possibility but that’s going to take forever to shoot frame by frame.
I have 3 or 4 other cameras, a mix of 8mm and Super-8, plus a bunch of found 16mm reels, so I have to decide whether to: A) farm it out, B) buy something, or C) make something.
A has the advantages that I don’t have even more clutter, I don’t put in a bunch of time, it’s done by professionals, and I only spend the money when I have something. But, it’s expensive.
B is a one-time investment, but it’s time consuming, good telecine gear is also expensive & I don’t want to do conversions for others for it to pay for itself. And more stuff to store.
C is cheaper in money but time consuming to design and make it. A good design could be set it and forget it once it’s built. I love a challenging project but I have several in line ahead of it.
Probably A or C or a mix of A and C. I’ll let you know.