I did a LOT of color correction on these. The film in the camera in the video is not what I used — that’s a bad roll of Polaroid I use to test film transport, etc. The images are Fuji ISO 400, expired in April of 1997 and it shows. Really grainy and it has a bluish tint almost like expired slide film. I processed this at home (Unicolor C-41 kit) so temperature variation might be part of it. It’s not the camera’s fault.
Cropped pretty far into this so it’s extra grainy. A truck pulled up right when I pressed the shutter.
Another random cat.
The Koni-Omega. A project camera taking a picture of a project camera…
A cool cat scarf M picked up at a pop-up store in Santa Fe.
Jem is so chill.
Dried up roses. I got a lot of mileage out of these flowers as a subject.
The scanner at work, a Canon print/scan/fax thing, was giving me bad reflections from the clear plastic on the Instax frames so i had to adjust. They’re underexposed to start with — f/256 is pretty dim.
Tusker and Melon — my WPPD contribution.
Some of M’s pots.
My kludge of a darkroom…
Foam core poster board painted black on the window.
Black craft paper and tape around the door. Towel at the bottom.
It worked, it was black-black. Then I remembered when I bought a guy’s old darkroom stuff, I got a…
A clarification: The camera could be as late as 1934. The catalog years overlap — 1932-33, 1933-34, 1934-35. The 34-35 catalog is the first one to show the “Action Front” push button bed release. The 32-33 catalog is the only one that explicitly states the camera is available in black or brown but I don’t know if later model years had the color choice. If it is from 33-34, the doublet was the low-end lens with an f/6.3 or f/4.5 anastigmat as an upgrade and a Diodak shutter option which added 1/10 second to the speeds of the Kodon.
View of the Truchas Mountains.
The scalloping at the top of the next image is from re-spooling the film. I didn’t have it perfectly parallel to the 620 spool rim so the film & paper came off at an angle and wrinkled.
No idea — it looks like water.
Taken with the tape and poster board seals. Still leaked.
Trinity in the sun. Instax with the tape/cardboard seals.
Trinity on the sun porch. No leaks!
That’s it for posted images taken with this camera. About the kludges follows.
Dark room and an LED flashlight inside show just how leaky the bellows is.
Sketching out the “over bellows”.
Getting the cardboard between the bellows and the folding front was a challenge. Good view of the aperture setting: U.S. 8=f/11, 16=f/16, 32=f/22, 64=f/32.
Nothing like a closeup to show how dusty it is.
I thought I was done here.
The back is 6 X 9cm and the front is sized to let the Instax frame slide in.
Instax Mini adapter.
I still got light leaks between the top and body. I tried yet more tape before giving up and shrouding the whole thing with my dark bag.
Getting kind of silly with the tape.
I don’t have a proper darkroom so here’s the process. I taped up the Instax film box to use as a transfer station.
Put the film in the box.
The box and camera go into the dark bag. Remove the film, remove one frame from the cartridge, insert it in the holder in the camera, and put the cartridge back in the box.
Meter, carefully take the camera out of the bag, and shroud everything but the lens and shutter trigger.
Take the shot and put the camera back in the bag.
Take the frame out of the holder, slide it back in the Instax cartridge, and put the cartridge in the light-tight box.
Put the Instax camera in the bag, load the cartridge, take it out, cover the lens, and shoot it to run the print through the Instax rollers.
I got turned around a couple of times and loaded the Instax frame with the image side towards the lens. I burned through most of a box of 10 prints to get two OK images but it was still a lot cheaper and faster than using negative film (re-spool, reload, process) for each iteration.
Fuji ISO 200 film of unknown vintage. Some grain in low light but not bad for being in someone’s garage. Processed and scanned by The Camera Shop of Santa Fe.
Bulb and writing with the cats’ laser pointer.
Sleepy Zoe. Mostly shots of the cats on this roll. Handheld at f/1.7 at ~ 1/30.
Goober. Handheld at f/1.7 & ~1/30.
Goober with flash. F/16 & 1/90 at 3 feet*.
* With the old Achiever 115A flash, ISO 200 should be at f/22 at 3 feet but the Rokkor-X PF 50mm f/1.7 only stops down to f/16. Exposure compensation wouldn’t help since the exposure is based on the flash duration and the only correction the camera could do would be to double the shutter speed at -1 exposure compensation (to adjust the exposure down to ISO 100 which is on the flash table at f/16 and 3 feet). A -1 stop ND filter would work but I didn’t have one handy. I got lucky with the film’s exposure latitude (or it’s slower because it’s old) and it’s not overexposed.
F/1.7 = tiny depth of field. I tried to focus on Trinity as she came towards me. With the shutter so slow it’s hard to tell.
I darkened everything but her eyes. Lemonade!
One more of Zoe just because I like it.
I turned on the den light & remembered the camera was on the tripod just outside the window. I thought I’d ruined the shot and stopped the exposure at about 10 minutes.
Not much for images — the shutter still sticks. Here’s the disassembly/attempted repair experiment.
It’s pretty easy to get inside to the shutter. The first tear-down was more thorough — I removed the insert that goes from the back of the shutter to the film plane and disassembled the viewfinder. There are two screws inside the light-tight chamber.
Four screws on the front.
This copper (brass?) provides the friction to hold the Inst/Time selector. It will immediately fall out.
Two screws at the front of the viewfinder.
I completely removed the VF during the cleaning tear-down to get to the lens and mirror. The VF hood is a pain to get back in its slot so don’t do it unless you have to.
With the VF hood up, the whole front will tilt upwards.
The four front screws also hold the lens board — it pops right out.
Without the shutter cocked, you can’t really see the part the selector works.
This bit that sticks into the body is the culprit.
The triangular piece coming in at the left selects “instantaneous” or “time”.
Two screws hold the top of the shutter assembly.
One screw at the bottom.
Not sure why but the bottom screw (right) is different.
The side has the rod that cocks the shutter from the wind knob and the flash contacts.
Cocked and pressing the button, you can see the selector doesn’t move up and down but in (Inst) and out (Time).
It’s a two-piece shutter. The red opens followed by the rear that closes. The triangle holds the rear open.
I thought this wasn’t pressing down enough to allow the rear shutter to close.
Bad alignment but I bent it down. It also increased the friction.
Holding the triangle down with a small drill bit, the shutter worked at the instantaneous setting every time. Bending the selector seemed to work but it isn’t reliable. I’ll go inside again and report back here.
It really is one of the brighter viewfinders I’ve seen. L-R reversed.
I included this to show the film edge markings.
Blurry from the shutter sticking but I kind of like it.
Super-blurry but I like this one too.
I’m still trying to find my Photoshop Elements disk. It’s in a box somewhere. In the meantime, I’ve been using GIMP. The workflow is really different but it’s growing on me.
I did a digital graduated filter on this one to boost the shadows on the bottom.
I have a few shots from disassembling the camera to clean it. I’ll combine those with photos of the 2nd tear-down to fix the shutter and post here. Hopefully followed by another roll of images.
Not much for images — the shutter still sticks. A couple of images and the disassembly/attempted repair experiment.