Tag Archives: Canon

52 Cameras: Canon Powershot SX230 HS

The manual is still available from Canon.

Modes available from the mode dial: Manual, Aperture Priority, Shutter Priority, Program Auto Exposure, Auto, Easy, Movie Digest (makes a movie from stills), Scene modes (see below), Creative Filters (see below-below), Movie (or set up preferences in the menu & hit the red button).

Scene Modes: Portrait, Landscape, Kids & Pets, & SCN. SCN has menu options: Handheld Night Scene, Low Light, Beach, Underwater (requires housing – this camera is not waterproof), Foliage, Fireworks, & Snow.

Creative Filters: Super Vivid, Poster Effect, Fish-eye, Miniature, Toy, Monochrome (actually pretty nice), Color Accent, & Color Swap.




Collared lizard.

Collared lizard.


Inside an empty yucca seed pod.

Inside an empty yucca seed pod.


M doing the hard part of Kitchen Mesa, Ghost Ranch, NM.

M doing the hard part of Kitchen Mesa, Ghost Ranch, NM.


View of Abiquiú lake and Pedernal from Kitchen Mesa.

View of Abiquiú lake and Pedernal from Kitchen Mesa.

Geminid Photobombing Orion 14 December 2020

Canon 60D, ISO 1600, f/2, 15 seconds, Sigma 30mm F1.4 EX DC (HSM).* The lens is 48mm equivalent field of view with the 60D’s 1.6X crop factor. For meteors, a wider lens is better but this is what I have in sharp, fast glass. I got a couple of meteor images at 30 seconds but the stars are little glow worms.

Geminid meteor photobombing Orion

No post processing other than resizing.


Geminid meteor photobombing Orion

I’ll list post processing below.


Some of the stars in the original, particularly Orion’s belt, have red halos so looking at them zoomed out they look pink.

First, I desaturated the red channel on selected stars.

Next I used the Focus Magic filter to undo some motion blur (about 7 pixels). I’m using a demo version and still learning my way around it. It tends to oversharpen but I think that’s more a function of my ignorance than anything wrong with the algorithm. The demo is nice. It doesn’t cripple the software or add a watermark, you just have a limit of 10 images.

Pixel-peeping to see how well the blur removal worked, I found more red halos and did another round of selective red desaturation.

In GIMP, I adjusted the exposure to -0.750. An un-adjusted image comes up with exposure ‘0’. I’m not sure what the units are but I tweaked to taste. The trees lost a little glow but the sky looks more like what my eyes saw. I’ll probably play some more. If anything worth seeing comes out of it, I’ll update this post.

* This lens is discontinued. I got mine as a Sigma factory refurbished lens when the model was still current. Some “new old stock” is available depending on mount and mint used ones can be picked up inexpensively. The newer version is part of Sigma’s “Art” series. It costs a bit more (MSRP $499) and is tweakable with their USB dock.

Phound Photos Volume 15

This roll of Kodak MAX 400 (C-41 color print film, not T-MAX) has been sitting in the refrigerator for a while. It was in the Canon AL-1 when I bought it in late December 2019. I’m trying to work my way through more found film before the chemicals go bad. I’m using the Cinestill “Color Simplified” 2-bath kit. It’s the 1st batch I’ve used so I have no idea of its staying power vs the Unicolor kit I usually use.

On to the images.

Gorgeous dog. Want to steal.

Gorgeous dog. Want to steal.


Wind chime.

Wind chime.


Frozen bird feeder.

Frozen bird feeder.


Frozen bird feeder detail. Even the perch has ice.

Frozen bird feeder detail. Even the perch has ice.


Icicles.

Icicles.


Some color correction. The film survived its journey through a thrift store to me in pretty good shape.

52 Cameras: Canon Al-1 QF


The viewfinder graphics are a screen grab from the amazing Photography in Malaysia site.



Update 04 July 2020: I posted some images from the film that was in the camera at Phound Photos Volume 15.

Glittery 'O'.

Glittery ‘O’.


Goober contemplates the snow.

Goober contemplates the snow.




Second roll – expired Kodak T-MAX 400.
Radio Flyer.

Radio Flyer.


Hank.

Hank.


April.

April.


St. Valentine's Day bouquet.

St. Valentine’s Day bouquet.

52 Cameras: Canon Sure Shot Ace


The “Phound Photos” post for this camera: http://exit272.com/?p=4897



This is what I meant in the video. Down low = "Hey, whatcha got?"

This is what I meant in the video. Down low = “Hey, whatcha got?”


Ristra at the Santa Fe Convention Center.

Ristra at the Santa Fe Convention Center.


Sculpture at the Santa Fe Convention Center.

Sculpture at the Santa Fe Convention Center.


Poor Jem with his eyes blown out by the flash.

Poor Jem with his eyes blown out by the flash.

52 Cameras: #187 – Canon PowerShot G10

Things I missed or glossed over in the video:

Canon still has the manual.

Scene modes: Portrait – “soft effect”, Landscape – deep DoF, Night Scene – slow shutter + flash, Sports – continuous shooting with AF, Night Snapshot – reduces camera shake (boosts ISO & shutter?), Kids & Pets, Indoor, Sunset, Foliage, Snow, Beach, Fireworks, Aquarium, Underwater, ISO 3200 (2X normal highest), and Color Swap.

Metering modes: Evaluative, Center weighted average, Spot AE Point/Center – spot metering is whatever is in the center of the LCD, and Spot AE Point/AF Point – AE point follows AF point (only works with FlexiZone AF selected).



No exposure modifications except the bird photo.
Some crops. For a P&S, it tolerates crops pretty well.

Jem doing what cats do.

Jem doing what cats do.


Open house at New Mexico Wildlife Center was awesome. It’s not on their web site yet but they have a “photographer’s day” coming up in November.
Lightened a little to bring the bird's face out of shadow.

Lightened a little to bring the bird’s face out of shadow.


Another shot of Joni. She touches a tennis ball on a stick & gets a treat.

Another shot of Joni. She touches a tennis ball on a stick & gets a treat.


Sunflowers at the co-op in Santa Fe.

Sunflowers at the co-op in Santa Fe.


I compost most things but goatheads get the flame.

I compost most things but goatheads get the flame.


An example of the exposure compensation. This is 0.

An example of the exposure compensation. This is 0.


This one is - 1/3 stop.

This one is – 1/3 stop.

52 Cameras: # 184 — Bell & Howell (Canon) Dial 35-2




Kodak Color Plus 200 scanned on a Canon CanoScan 9000f at 2400DPI and resized for the blog. Any edits are in the image file names.
They look like tampons but they're ice sculptures.

They look like tampons but they’re ice sculptures.


Another fun night shot.

Another fun night shot.


I don't remember what this sign is for - I just like the abstract shapes.

I don’t remember what this sign is for – I just like the abstract shapes.


Flamingos at the Flamingo.

Flamingos at the Flamingo.

A little more than half way done with the scanning. If I see something interesting, I’ll add it to the post.

Phound Photos Volume 13

Kodak Max 400 found in a Canon Sure Shot Ace. The film canister doesn’t give any clues about the date. The camera is from 1988.

Some young ladies having fun trying on prom(?) dresses.

Weird to think they're probably in their 40s now.

Weird to think they’re probably in their 40s now.


The film was horrendously jammed. With a good battery, the film wouldn’t rewind and it was at the end of the roll so it couldn’t wind either.
Double exposure

Double exposure


The extra exposure from the back being opened created what looks like the Sabattier effect.

The extra exposure from the back being opened created what looks like the Sabattier effect.


An even more extreme example of the effect.

An even more extreme example of the effect.


Cropping out the overexposure and a little tweaking of levels and this could be a nice image.

Cropping out the overexposure and a little tweaking of levels and this could be a nice image.


There are twelve frames with something. A few of those are salvageable as “normal” images. To get the film out, I had to work in the dark bag and cut it loose from the canister. Then I was able to feed it around the take-up spool in the wind direction until it separated from the spool.

    Some notes & random thoughts

  • The film has a really pronounced curl along its length so it was difficult to get it into the scanner. While researching how to get rid of the curl, I came across a suggestion to iron it. I used a black portion of the film to try it. I did about five seconds and the film picked up the texture of the cotton cloth (old summer-weight PJs, not textured) and the table beneath it. I do not recommend ironing curly film. By inserting the film emulsion down, apex of curl up (opposite Canon’s directions), I was able to get the film holder to make it flat enough to scan. It’s easy to flip the images in post. The scans are OK but the film is in a sleeve inside a large hardcover book. I’m curious how long it will take to flatten. I found some wrinkly manuals I’d put in there maybe a year ago (and forgotten) and they look great.
  • I really want to experiment and figure out how the pseudo-solarization came about and repeat it on purpose. On the first yellow image above, I think the left part was on the spool towards the back of the camera and the image was increasingly shielded by the take up spool as you move right. The same for the rotated portrait format image. I’m guessing the landscape one was a lower frame number so it was more shielded. I’ll have to check the numbers. That the effect is yellow is a good starting point for reproducing the effect. Exposed through orange tinted backing, yellow’s RGB complement… I have a lot of research to do.
  • The camera is a little weird and kind of cool for an f/3.5 wide angle P&S from the 1980s. It has an “Easy Viewer”, a low-angle viewfinder like the Photura, and the left side slides off to become an infrared remote. I have a battery and some dead film for transport testing. If it works, I’ll shoot with it and feature it soon.