Tag Archives: Canon

Phound Photos Volume 15

This roll of Kodak MAX 400 (C-41 color print film, not T-MAX) has been sitting in the refrigerator for a while. It was in the Canon AL-1 when I bought it in late December 2019. I’m trying to work my way through more found film before the chemicals go bad. I’m using the Cinestill “Color Simplified” 2-bath kit. It’s the 1st batch I’ve used so I have no idea of its staying power vs the Unicolor kit I usually use.

On to the images.

Gorgeous dog. Want to steal.

Gorgeous dog. Want to steal.


Wind chime.

Wind chime.


Frozen bird feeder.

Frozen bird feeder.


Frozen bird feeder detail. Even the perch has ice.

Frozen bird feeder detail. Even the perch has ice.


Icicles.

Icicles.


Some color correction. The film survived its journey through a thrift store to me in pretty good shape.

52 Cameras: Canon Al-1 QF


The viewfinder graphics are a screen grab from the amazing Photography in Malaysia site.



Update 04 July 2020: I posted some images from the film that was in the camera at Phound Photos Volume 15.

Glittery 'O'.

Glittery ‘O’.


Goober contemplates the snow.

Goober contemplates the snow.




Second roll – expired Kodak T-MAX 400.
Radio Flyer.

Radio Flyer.


Hank.

Hank.


April.

April.


St. Valentine's Day bouquet.

St. Valentine’s Day bouquet.

52 Cameras: Canon Sure Shot Ace


The “Phound Photos” post for this camera: http://exit272.com/?p=4897



This is what I meant in the video. Down low = "Hey, whatcha got?"

This is what I meant in the video. Down low = “Hey, whatcha got?”


Ristra at the Santa Fe Convention Center.

Ristra at the Santa Fe Convention Center.


Sculpture at the Santa Fe Convention Center.

Sculpture at the Santa Fe Convention Center.


Poor Jem with his eyes blown out by the flash.

Poor Jem with his eyes blown out by the flash.

52 Cameras: #187 – Canon PowerShot G10

Things I missed or glossed over in the video:

Canon still has the manual.

Scene modes: Portrait – “soft effect”, Landscape – deep DoF, Night Scene – slow shutter + flash, Sports – continuous shooting with AF, Night Snapshot – reduces camera shake (boosts ISO & shutter?), Kids & Pets, Indoor, Sunset, Foliage, Snow, Beach, Fireworks, Aquarium, Underwater, ISO 3200 (2X normal highest), and Color Swap.

Metering modes: Evaluative, Center weighted average, Spot AE Point/Center – spot metering is whatever is in the center of the LCD, and Spot AE Point/AF Point – AE point follows AF point (only works with FlexiZone AF selected).



No exposure modifications except the bird photo.
Some crops. For a P&S, it tolerates crops pretty well.

Jem doing what cats do.

Jem doing what cats do.


Open house at New Mexico Wildlife Center was awesome. It’s not on their web site yet but they have a “photographer’s day” coming up in November.
Lightened a little to bring the bird's face out of shadow.

Lightened a little to bring the bird’s face out of shadow.


Another shot of Joni. She touches a tennis ball on a stick & gets a treat.

Another shot of Joni. She touches a tennis ball on a stick & gets a treat.


Sunflowers at the co-op in Santa Fe.

Sunflowers at the co-op in Santa Fe.


I compost most things but goatheads get the flame.

I compost most things but goatheads get the flame.


An example of the exposure compensation. This is 0.

An example of the exposure compensation. This is 0.


This one is - 1/3 stop.

This one is – 1/3 stop.

52 Cameras: # 184 — Bell & Howell (Canon) Dial 35-2




Kodak Color Plus 200 scanned on a Canon CanoScan 9000f at 2400DPI and resized for the blog. Any edits are in the image file names.
They look like tampons but they're ice sculptures.

They look like tampons but they’re ice sculptures.


Another fun night shot.

Another fun night shot.


I don't remember what this sign is for - I just like the abstract shapes.

I don’t remember what this sign is for – I just like the abstract shapes.


Flamingos at the Flamingo.

Flamingos at the Flamingo.

A little more than half way done with the scanning. If I see something interesting, I’ll add it to the post.

Phound Photos Volume 13

Kodak Max 400 found in a Canon Sure Shot Ace. The film canister doesn’t give any clues about the date. The camera is from 1988.

Some young ladies having fun trying on prom(?) dresses.

Weird to think they're probably in their 40s now.

Weird to think they’re probably in their 40s now.


The film was horrendously jammed. With a good battery, the film wouldn’t rewind and it was at the end of the roll so it couldn’t wind either.
Double exposure

Double exposure


The extra exposure from the back being opened created what looks like the Sabattier effect.

The extra exposure from the back being opened created what looks like the Sabattier effect.


An even more extreme example of the effect.

An even more extreme example of the effect.


Cropping out the overexposure and a little tweaking of levels and this could be a nice image.

Cropping out the overexposure and a little tweaking of levels and this could be a nice image.


There are twelve frames with something. A few of those are salvageable as “normal” images. To get the film out, I had to work in the dark bag and cut it loose from the canister. Then I was able to feed it around the take-up spool in the wind direction until it separated from the spool.

    Some notes & random thoughts

  • The film has a really pronounced curl along its length so it was difficult to get it into the scanner. While researching how to get rid of the curl, I came across a suggestion to iron it. I used a black portion of the film to try it. I did about five seconds and the film picked up the texture of the cotton cloth (old summer-weight PJs, not textured) and the table beneath it. I do not recommend ironing curly film. By inserting the film emulsion down, apex of curl up (opposite Canon’s directions), I was able to get the film holder to make it flat enough to scan. It’s easy to flip the images in post. The scans are OK but the film is in a sleeve inside a large hardcover book. I’m curious how long it will take to flatten. I found some wrinkly manuals I’d put in there maybe a year ago (and forgotten) and they look great.
  • I really want to experiment and figure out how the pseudo-solarization came about and repeat it on purpose. On the first yellow image above, I think the left part was on the spool towards the back of the camera and the image was increasingly shielded by the take up spool as you move right. The same for the rotated portrait format image. I’m guessing the landscape one was a lower frame number so it was more shielded. I’ll have to check the numbers. That the effect is yellow is a good starting point for reproducing the effect. Exposed through orange tinted backing, yellow’s RGB complement… I have a lot of research to do.
  • The camera is a little weird and kind of cool for an f/3.5 wide angle P&S from the 1980s. It has an “Easy Viewer”, a low-angle viewfinder like the Photura, and the left side slides off to become an infrared remote. I have a battery and some dead film for transport testing. If it works, I’ll shoot with it and feature it soon.

52 Cameras: # 167 — Canon Photura




Fujifilm Superia X-tra 400 labeled “process before 2015-05”. I think I bought it new — it’s been in the freezer.

Processing and scanning by The Camera Shop of Santa Fe.

Plant buddies.  Time to re-pot the spider plant.

Plant buddies. Time to re-pot the spider plant.


Still life with 1/4 scale Neanderthal skull, urn, and stalagmite.  Ignored the parallax marks & cut off the urn.

Still life with 1/4 scale Neanderthal skull, urn, and stalagmite. Ignored the parallax marks & cut off the urn.


The neighbor's cat waiting for feral food on top of our shed.  We call him/her/not sure Cha-Ka.

The neighbor’s cat waiting for feral food on top of our shed. We call him/her/not sure Cha-Ka.


Goober knows what to do on a cold, snowy day.

Goober knows what to do on a cold, snowy day.


Sinclair mascot at the Pojoaque Dino Mart.

Sinclair mascot at the Pojoaque Dino Mart.


Saw blade target.  The lens in this weird camera is sharp-sharp.

Saw blade target. The lens in this weird camera is sharp-sharp.

Phound Photos Volume 11

I recently acquired an old Canon Digital Rebel. I don’t have a charger yet so I haven’t used it but it has a CompactFlash card in it with images from July 2013 to August 2015.

Whoever the photographer is, I hope she sticks with it.

Probably San Diego based on a ship in another image.

Probably San Diego based on a ship in another image.


Nice macro.

Nice macro.


A person of discerning taste I see.

A person of discerning taste I see.

Christmas ornament selfie with festive nails.

Christmas ornament selfie with festive nails.


Out of focus but this is a cool shot.

Out of focus but this is a cool shot.

Super Blood Wolf Moon — 20 January 2019

“Super” because the moon is close. “Blood” because of the eclipse. “Wolf” just because the January full moon is called a wolf moon. Some icy clouds so I wasn’t too optimistic but it turned out OK. The clock on my camera was about 20 minutes fast so the image time stamps are a little off. Images are shrunk to 1024 on the long side. Most with the Canon 60D & Sigma 18-250mm.

Moonrise over the Sangre de Cristos.

Moonrise over the Sangre de Cristos.


Icy clouds are beautiful but not great for astrophotography.

Icy clouds are beautiful but not great for astrophotography.


No eclipse yet but the clouds cleared for a while.

No eclipse yet but the clouds cleared for a while.


Near the beginning of the eclipse.

Near the beginning of the eclipse.


Here’s a good example of “crop factor” based on sensor size.The above image was taken with a Canon 60D, which has an APS-C sensor, and a 250mm lens. Because the sensor is smaller than a frame of 35mm film (“full frame”), the angle of view is narrower. For Canon APS-C, the factor is 1.6. You don’t magically get a longer zoom but the field of view is equivalent to the length of the lens times the crop factor. In this case, 250mm X 1.6 = 400mm.

Sony A7 (full frame) and an old Canon FD mount Kiron 400mm telephoto.

Sony A7 (full frame) and an old Canon FD mount Kiron 400mm telephoto.


Both images were resized to 1024 but no cropping. The size of the moon is the same for full frame at 400mm and an APS-C sensor at 250mm.

Back to the moon…

Nearing totality.

Nearing totality.


I switched from aperture priority to manual.  The moon sliver is too small for the spot meter in the camera.

I switched from aperture priority to manual. The moon sliver is too small for the spot meter in the camera.


Still exposing for the sliver so the moon isn't a white blob.

Still exposing for the sliver so the moon isn’t a white blob.


Going... This is a full second at ISO 400 & f/6.3 (as wide as the lens goes at 250mm).

Going… This is a full second at ISO 400 & f/6.3 (as wide as the lens goes at 250mm).


Going... This is about a minute later. They kinda look the same but I was stoked about how they were coming out.

Going… This is about a minute later. They kinda look the same but I was stoked about how they were coming out.


Still going...

Still going…


Houston, we have totality!

Houston, we have totality!


I tried a Canon 2X teleconverter with the Kiron lens on the Sony for a total of 800mm.
800mm

800mm


I even tried a Kiron 2x converter stacked with the Canon 2X converter and the 400mm lens. It worked but the loss of light from the converters, the not-quite-perfect alignment of the converters+lens, and wobbliness of trying to aim something that long on a small tripod (while freezing) wasn’t worth it. The black spot is dust I got on the sensor while dorking around with converters with numb hands. You can see green chromatic aberration at the top of the moon.
2X + 2X + 400mm = 1600mm of wobbly goodness.

2X + 2X + 400mm = 1600mm of wobbly goodness.