Tag Archives: Sony

Mercury Transiting the Sun 11 November 2019

It was super windy and the old 400mm definitely does not have image stabilization. I got lucky during a short lull.

Sony A7, Aperture Priority, 1/60 second, Fotodiox FD-E adapter, Prospec 400mm (FD) @ f8, Vivitar 2X Teleconverter

Sony A7, Aperture Priority, 1/60 second, Fotodiox FD-E adapter, Prospec 400mm (FD) @ f8, Vivitar 2X Teleconverter


The teleconverter loses 2 stops plus the filter material I had left over from the eclipse. Mercury is at about 1:00. Not great but comparable to the live stream from the Griffith Observatory. I may be alive the next time it’s visible from North America but who knows? Best to grab it while I can.

52 Cameras: # 170 — Sony DSC-H7


I glossed over a lot of the features, face detect, in-camera effects like sepia and saturation, exposure compensation besides bracketing, etc. Even Sony divided the information into a setup guide, instruction manual, and handbook — probably 250 pages worth.



Phound Photos Volume 9 has some of the found images from the memory stick.


18 Jan 2019 - I used GIMP to fix the perspective & adjusted the levels.  The deep shadows fooled the meter.

18 Jan 2019 – I used GIMP to fix the perspective & adjusted the levels. The deep shadows fooled the meter.


21 Jan 2019 - Waiting for moonrise.  The camera biffed the white balance (WB) but GIMP fixed it up.

21 Jan 2019 – Waiting for moonrise. The camera biffed the white balance (WB) but GIMP fixed it up.


28 Jan 2019 - M at Plaza Cafe.

28 Jan 2019 – M at Plaza Cafe.


10 Apr 2019 - Macro is hard in high wind.  The camera did a great job during a rare lull.

10 Apr 2019 – Macro is hard in high wind. The camera did a great job during a rare lull.


10 Apr 2019 - Lupines (I think) in the yard.  Bokeh's not great but not bad.

10 Apr 2019 – Lupines (I think) in the yard. Bokeh’s not great but not bad.


10 Apr 2019 -  Shot through a filthy window at max zoom (78/465mm equiv). I tweaked WB & shadows.

10 Apr 2019 – Shot through a filthy window at max zoom (78/465mm equiv). I tweaked WB & shadows.

Phound Photos Volume 9

These were on the memory card of a Sony DSC-H7. I’ll review the camera shortly since I know I can power it up and get things off of it. I scored the camera from Goodwill Central Coast in Salinas, CA.

There were 350 images total on the card, from June 2011 to November 2012. As usual, when I review the camera, I’ll link to this page so if the people run across the blog or YouTube channel, they can get their pictures.

They have a bird.

They have a bird.


And a water dog.

And a water dog.


Who also likes to hike.

Who also likes to hike.


Sometimes the dog hikes with mom.

Sometimes the dog hikes with mom.


Dr Mycology makes a determination.

Dr Mycology makes a determination.


I think that's Mt. Ranier.

I think that’s Mt. Ranier.


Yep, that's Ranier.

Yep, that’s Ranier.


I love the light in this one.

I love the light in this one.


It still feels weird posting other people’s images. Really old ones are easier. So far I’ve been lucky. No Jimmy Hoffa or Loch Ness monster but also no porn or wrecks or other creepy stuff. Maybe someday I’ll actually reunite someone with pictures they thought were lost forever.

Super Blood Wolf Moon — 20 January 2019

“Super” because the moon is close. “Blood” because of the eclipse. “Wolf” just because the January full moon is called a wolf moon. Some icy clouds so I wasn’t too optimistic but it turned out OK. The clock on my camera was about 20 minutes fast so the image time stamps are a little off. Images are shrunk to 1024 on the long side. Most with the Canon 60D & Sigma 18-250mm.

Moonrise over the Sangre de Cristos.

Moonrise over the Sangre de Cristos.


Icy clouds are beautiful but not great for astrophotography.

Icy clouds are beautiful but not great for astrophotography.


No eclipse yet but the clouds cleared for a while.

No eclipse yet but the clouds cleared for a while.


Near the beginning of the eclipse.

Near the beginning of the eclipse.


Here’s a good example of “crop factor” based on sensor size.The above image was taken with a Canon 60D, which has an APS-C sensor, and a 250mm lens. Because the sensor is smaller than a frame of 35mm film (“full frame”), the angle of view is narrower. For Canon APS-C, the factor is 1.6. You don’t magically get a longer zoom but the field of view is equivalent to the length of the lens times the crop factor. In this case, 250mm X 1.6 = 400mm.

Sony A7 (full frame) and an old Canon FD mount Kiron 400mm telephoto.

Sony A7 (full frame) and an old Canon FD mount Kiron 400mm telephoto.


Both images were resized to 1024 but no cropping. The size of the moon is the same for full frame at 400mm and an APS-C sensor at 250mm.

Back to the moon…

Nearing totality.

Nearing totality.


I switched from aperture priority to manual.  The moon sliver is too small for the spot meter in the camera.

I switched from aperture priority to manual. The moon sliver is too small for the spot meter in the camera.


Still exposing for the sliver so the moon isn't a white blob.

Still exposing for the sliver so the moon isn’t a white blob.


Going... This is a full second at ISO 400 & f/6.3 (as wide as the lens goes at 250mm).

Going… This is a full second at ISO 400 & f/6.3 (as wide as the lens goes at 250mm).


Going... This is about a minute later. They kinda look the same but I was stoked about how they were coming out.

Going… This is about a minute later. They kinda look the same but I was stoked about how they were coming out.


Still going...

Still going…


Houston, we have totality!

Houston, we have totality!


I tried a Canon 2X teleconverter with the Kiron lens on the Sony for a total of 800mm.
800mm

800mm


I even tried a Kiron 2x converter stacked with the Canon 2X converter and the 400mm lens. It worked but the loss of light from the converters, the not-quite-perfect alignment of the converters+lens, and wobbliness of trying to aim something that long on a small tripod (while freezing) wasn’t worth it. The black spot is dust I got on the sensor while dorking around with converters with numb hands. You can see green chromatic aberration at the top of the moon.
2X + 2X + 400mm = 1600mm of wobbly goodness.

2X + 2X + 400mm = 1600mm of wobbly goodness.

52 Cameras: # 157 — Sony DSC-V3




The memory stick came with it so I checked for found photos. The only thing on it was a movie of a movie being played on a laptop or portable DVD player-type thing.
MMA fight from 2012 - Henderson v Diaz

MMA fight from 2012 – Henderson v Diaz


Zoe

Zoe


The colors are really saturated even without turning it up.

The colors are really saturated even without turning it up.


Noisy in low light.  J-Man took this one.

Noisy in low light. J-Man took this one.


Katydid

Katydid


Flowers in the yard

Flowers in the yard

Goober doing his Dr. Evil imitation

Goober doing his Dr. Evil imitation

Phound Photos Volume 7

There is only one image so far but I’m really excited for a couple of reasons.

I bought a box of old movie films (Super-8 & 16mm) and it also came with boxes of color slides. These aren’t buy-them-at-the-gift-shop slides but photos someone took on various vacations. Inside the big boxes are small plastic Kodak slide boxes with labels written on them. They are somewhat jumbled but the small boxes are labeled with where the photos were taken and the recipient.

It’s a little sad thinking about why the boxes are labeled this way. Was the photographer downsizing in his old age or moving to assisted living (we used to call them “retirement homes”)? Did he die and this is how the slides were to be divided? The movies have extra labels indicating they were digitized. I hope the slides were too before they ended up at a Goodwill.

This is a fairly large collection and from what I can tell, he was a talented photographer. I’m not talking about a Vivian Maier kind of find, but a fascinating puzzle.

The box this slide came from is labeled “Hawaii For Holly”.

"Hawaii For Holly"

“Hawaii For Holly”

It’s a lousy scan but here’s the second reason I’m stoked — I used an old slide duplicator, an “Accura Zoom Duplivar”. I got it when I bought a different lot of equipment. The duplicator had a Minolta SR mount on it so I hadn’t really thought about using it. I was making myself crazy trying to find an M42 to EOS adapter — I have a couple and couldn’t find either — so I used some of my down time while sick this last week to organize the boxes and boxes of stuff in my office. It still looks like a mess but it’s a mess where I can better find things. Any way, putting lens adapters, macro tubes and such into their own bin, I came across the slide duplicator. Checking to see if I could cannibalize parts I realized the Minolta mount is also an adapter. The slide duplicator actually has a T-mount.

I also have, and miraculously found, a T-mount adapter for the Canon. It works but the crop factor (1.6) from the smaller APS-C sensor on the Canon 60D narrows the field of view too much. I’d have to take multiple shots of each slide and stitch them together. I might as well use the flatbed and the whole point is to get away from the cruel tedium of doing slides and negatives on the scanner. The 9000f is a good scanner but the workflow is error-prone and soooooo time consuming omigodjustkillmenow.

Plan C: I have a full frame digital which hasn’t been featured yet on 52 cameras. I also bought a Canon EOS to Sony E-mount adapter.

Voila!  Frankenkludge.

Voila! Frankenkludge.

It’s made up from these bits plus the Sony: EOS to E-mount adapter, T-Mount to EOS adapter, T-mount slide duplicator.

The bits...

The bits…

I inserted the slide, held the whole rig up to an LED bulb in the kitchen and pressed the shutter. The focus and light both need a little work but not bad for a quick pass/fail test. The slide duplicator doesn’t really have focusing but it does have settings from 1.0 (life sized) to 2.0 which I haven’t played with yet. Stacking adapters may be introducing some error as well.

I’ll tinker some more and report back here.

52 Cameras: Camera 94 part 2 — Sony DSC-T700

I seem to have misplaced one folder full of images from this camera. Here are a few more in the meantime.

M enjoying some mid-February sunshine.  ISO 100, f/5.6, 1/500 second.

M enjoying some mid-February sunshine. ISO 100, f/5.6, 1/500 second.

22 Feb.  Sunny but weather is looming.  ISO 100, f/4.5, 1/400 sec.

22 Feb. Sunny but weather is looming. ISO 100, f/4.5, 1/400 sec.

23 Feb.  What a difference a day makes.  ISO 125, f/4.6, 1/125 sec.

23 Feb. What a difference a day makes. ISO 125, f/4.6, 1/125 sec.

31 March 2016 Update: Found the folder and took some more last night.

Stargazer Lily -- macro.

Stargazer Lily — macro.

Stargazer Lily — SUPER macro.

Stargazer Lily — SUPER macro.

52 Cameras: Camera 53 part 2 – Sony DSC F717

Sadly, the sensor kept getting worse. The camera rarely powers up working now. A pretty good time to wrap it up and post some results.

All of the IR photos are ISO 100, f/2, and 1/60 second. I chose a low ISO to keep noise down and the f-stop and shutter are the camera settings in “Night Shot”.

Infrared sunflowers

Infrared sunflowers

Great macro.  ISO 100, f/5, 1/500 sec.  Mild sharpening in Photoshop.

Great macro. ISO 100, f/5, 1/500 sec. Mild sharpening in Photoshop.

Oops, left the camera in macro and they were too far away. I had to sharpen again.

Musicians at the co-op.  ISO 100, f/4 at 1/160

Musicians at the co-op. ISO 100, f/4 at 1/160

IR does strange things with eyes. Hers are dark brown and look blue. Mine are blue and come out black.

I love the luminous quality of skin in infrared.

I love the luminous quality of skin in infrared.

One of my favorites.  The clouds cleared so the white leaves and petals pop against the sky.

One of my favorites. The clouds cleared so the white leaves and petals pop against the sky.

Spider web at the new casa.

Spider web at the new casa.

When I get the new sensor, I’ll post about the repair.